Fournier ODP Text Serif
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所在地:,    
上传时间:12/15/14    最后编辑时间:12/15/14     推荐时间:04/06/15
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客户:Orchestre de Paris
网址:http://www.orchestredeparis.com/fr/accueil
创造年份:2014

描述:Fournier ODP (as in “Orchestre de Paris”) is the exclusive corporate typeface of Orchestre de Paris. The typeface family is named after Pierre-Simon Fournier, aka “Le Jeune” (1712 - 1768), punchcutter and typefounder. Famous for his musical founts, the Parisian Pierre-Simon Fournier is considered one of the first French “Moderns”. The typeface borrows from the numerous alphabets produced by him, retaining only the finest cuts and adding its own peculiarities: anachronical ampersand, reversed letters in reverence to poster ephemeras of the times, etc. Faithful to the tradition of optical sizes, different designs have been assigned to different scales of use. Fournier ODP starts with a classical Serif style. The lighter weights are especially based on Fournier’s Cicero Poetique, a narrow series designed to fit a 12-syllabus poetry line in a specific lengt. Bolder weights are more connected to his Gros Canon, a fierce design with generous x-height for titling purposes.

标签: Pierre-Simon Fournier  Modern  Serifs  Text typeface   
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Fournier ODP (as in “Orchestre de Paris”) is the exclusive corporate typeface of Orchestre de Paris. The typeface family is named after Pierre-Simon Fournier, aka “Le Jeune” (1712 - 1768), punchcutter and typefounder. Famous for his musical founts, the Parisian Pierre-Simon Fournier is considered one of the first French “Moderns”. The typeface borrows from the numerous alphabets produced by him, retaining only the finest cuts and adding its own peculiarities: anachronical ampersand, reversed letters in reverence to poster ephemeras of the times, etc. Faithful to the tradition of optical sizes, different designs have been assigned to different scales of use. Fournier ODP starts with a classical Serif style. The lighter weights are especially based on Fournier’s Cicero Poetique, a narrow series designed to fit a 12-syllabus poetry line in a specific lengt. Bolder weights are more connected to his Gros Canon, a fierce design with generous x-height for titling purposes.

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