推荐时间：04/06/15
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客户：Orchestre de Paris
网址：http://www.orchestredeparis.com/fr/accueil
创造年份：2014
描述：Fournier ODP (as in “Orchestre de Paris”) is the exclusive corporate typeface of Orchestre de Paris. The typeface family is named after Pierre-Simon Fournier, aka “Le Jeune” (1712 - 1768), punchcutter and typefounder. Famous for his musical founts, the Parisian Pierre-Simon Fournier is considered one of the first French “Moderns”. The typeface borrows from the numerous alphabets produced by him, retaining only the finest cuts and adding its own peculiarities: anachronical ampersand, reversed letters in reverence to poster ephemeras of the times, etc. The “Graphiques” series are designed to allow for polychromic settings and the “Gothic” series are a nod to the residues of modernism. Faithful to the tradition of optical sizes, different designs have been assigned to different scales of use. Fournier ODP starts with a classical Serif style. The companion Sans family is a contrasted serifless design, while the supportive act is played by a less contrasted Gothic, a wink to the modernity o
标签：
Pierre-Simon Fournier
Modern
Gothic
Sans serif
Text typeface
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Fournier ODP (as in “Orchestre de Paris”) is the exclusive corporate typeface of Orchestre de Paris. The typeface family is named after Pierre-Simon Fournier, aka “Le Jeune” (1712 - 1768), punchcutter and typefounder. Famous for his musical founts, the Parisian Pierre-Simon Fournier is considered one of the first French “Moderns”. The typeface borrows from the numerous alphabets produced by him, retaining only the finest cuts and adding its own peculiarities: anachronical ampersand, reversed letters in reverence to poster ephemeras of the times, etc. The “Graphiques” series are designed to allow for polychromic settings and the “Gothic” series are a nod to the residues of modernism. Faithful to the tradition of optical sizes, different designs have been assigned to different scales of use. Fournier ODP starts with a classical Serif style. The companion Sans family is a contrasted serifless design, while the supportive act is played by a less contrasted Gothic, a wink to the modernity o
